17,531 Royalty-Free Audio Tracks for "Audio Files Of Operas By Giuseppe Verdi"

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three published in 1893, and the third piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Domenico Scarlatti: Sonata K10 performed by David Joseph Stith on a Flemish harpsichord built by Gerald Self in 2020.

L'Estro Armonico, Op. 3, Concerto No. 2 in G minor for two violins, cello and strings, RV 578

Berlioz Toscanini Scherzo de la reine Mab cymbales antiques

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the sixth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Francois Couperin: "L'Art de toucher le Clavecin" (complete) performed by David Joseph Stith on a harpsichord built by Gerald Self in 2020. Recorded with a TASCAM DR-100MKIII using its internal electret condensor microphones and then processed through sox with treble -4 bass +11.

L'Estro Armonico, Op. 3, Concerto No. 4 in E minor for four violins and strings, RV 550:

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Aria Air des Bijoux from the opera Faust.

Dufay - Missa cantus firmus, derived from Se la face ay pale.

Nederlands: Gabriel Fauré (1845-1924): Après un Rêve, op. 7. Van Mutopia, publiek domein. De oorspronkelijke compositie is van Gabriel Fauré, die al meer dan 70 jaar overleden is, en het voor 1880 geschreven heeft. Voorzover er auteursrechten rusten op de bewerking tot midifile, heeft de auteursrechtenhouder het zelf in het PD geplaatst, zie de link op de bestandspagina en [1]

Berlioz Symphonie Fantastique finale, bars 1-4

Mussorgsky Gnomus original bars 19-24

Mozart - Requiem (Krips) - IX. Domine Jesu

Dufay, "Mon chier amy"

Mozart - Requiem (Krips) - V. Rex tremendæ

07Haydn NelsonMass-Credo EtRe

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 01. Requiem aeternam

01Haydn NelsonMass-Kyrie

Example of atonal music which avoids octaves, avoids major and minor triads, avoids more than three notes from the same diatonic scale, and avoids conjunct melodies/uses disjunct melodies. From Schoenberg's Klavierstucke, Op. 11, No. 1.

Recording of music written by Frederic Chopin

Purcell Fantazia upon One Note

Recording of music written by Frederic Chopin

Scarlatti Keyboard Sonata K119 bars 143-168

Schumann-Fantasie In C Major Opus 17- Movement 3- Lento

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Song by Ustad Qasim Jo.

Haydn Quartet Op.76 No. 6, finale bars 119-132

Schumann- Fantasie In C Major Opus 17-Movement 2- Maestoso Sempre Con Energia

Haydn, Symphony 97, third movement, bars 109-116

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Liszt- Funerailles

Mendelssohn String Quartet 2, 3rd movement (Intermezzo)

Liszt- Mephisto Waltz

Haydn, Symphony 94, second movement bars 150-156

Schubert A major sonata D959 closing bars of first movement

Polonez B-dur op. posth. 71 nr 2Polonaise B-flat major Op. 71 no. 2

Liszt; piano concerto No. 1, I. Allegro Maestoso

Schubert Piano Sonata D960 second movement, bars 98-106

Satie Gymnopedie No. 3 for piano solo

Robert Schumann; Liederkreis, Mondnacht, by Elisabeth Schumann

08Haydn NelsonMass-Sanctus

Mozart - Requiem (Krips) - VI. Recordare

Recording of music written by Frederic Chopin

Haydn from C minor Sonata finale

IMSLP247104-PMLP27022-String Quartet No. 6 in F minor, Op. 80 - II. Allegro assai

Mendelssohn; piano concerto no 1 in G minor 1. Molto allegro con fuoco

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.